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How the French porn industry is trying to regain its virginity

[Article translated with DeepL from French source: https://www.francetvinfo.fr/societe/pornographie/enquete-comment-l-industrie-pornographique-tente-de-se-refaire-une-virginite_6466868.html]

“Since the “French Bukkake” scandal shattered the pornography industry, a number of X-rated film production studios and broadcasters have made ethical commitments. However, our survey in collaboration with Capital shows that they are far from being respected everywhere.

In the study of his home in the south of France, the tripods and projectors of John B. Root, director and actor of pornographic films for 30 years, are covered in dust. He stopped shooting two years ago, disgusted by the legal cases that have tainted his professional sector. “It’s not porn that’s gone ‘#MeToo’. It was the police who made porn ‘#MeToo'”, he stormed when he met Radio France’s investigative unit.

A fake procuress

At the end of 2020, several press articles announced the arrest and indictment of four men for rape, procuring and trafficking in human beings, including the actor and director of X-rated videos, Pascal Ollitrault, alias Pascal OP. At the time, he was quite well known in the industry. He gave interviews on Dorcel TV and in the specialist press. At the time, he was the head of “French bukkake”. For ten years, until its closure in 2020, this site offered, for a fee, to view and take part in bukkake scenes, where dozens of men ejaculated on a single woman. Some screenshots from its Twitter account show hooded men in an arc in a shed, waiting for a woman to shoot the scene.

By looking into this man, the investigators uncovered a scheme he used to recruit female participants. In 2016, I was contacted on social networks by a young woman called Axelle Vercoutre,” explains a complainant, Amélia* (first name changed), in an interview with France Culture. She explained that she was an escort and that it was fun to sleep with strangers”. This virtual friend promised her easy money and discretion if she took part in an escorting evening and then in intimate videos. In financial difficulties, Amelia gave in to the temptation.

But behind this pseudonym, Axelle Vercoutre, hides a man. A flatterer who passes on the women’s details to Pascal OP. Dozens of complainants told the same story to the investigators. The shootings that followed went badly. Several complainants said they had not been warned about certain sexual practices they were about to undergo. They sometimes objected. Nor did they know the number of partners. They were only paid in cash if they signed contracts in which they ceded their image rights in all media, even though Pascal OP had promised them discreet distribution abroad. The police initially turned a blind eye. “I was flabbergasted to see that some of these women had lodged rape complaints as early as 2015 and that they had been told it was a commercial dispute”, says journalist Robin d’Angelo, who wrote Judy, Lola, Sofia et moi (Goutte d’Or, 2018), a book about the filming, two years before the affair broke.

Around fifty complainants

The Gendarmerie’s Paris research unit will finally be re-examining these complaints and viewing hours of footage. Videos in which women cry, complain and ask for the sexual act to be stopped. In extracts from the court file, to which Radio France’s investigative unit was able to gain access, text message exchanges between Pascal OP and other defendants show that he was rushing to shoot the scenes before the women discovered his subterfuge over a more exposed broadcast than planned. “For the sexual acts, everything was explained beforehand. I admit that I didn’t say everything for the broadcast. But not for the filming,” he explained to the examining magistrate during one of his hearings.

In the end, 17 defendants – actors, directors and producers of X-rated videos – will be indicted. This April 2024, the courts will have to decide whether the case should be referred to an assize court for acts of torture and barbarism, or to the criminal court for rape, aggravated procuring, human trafficking, money laundering and concealed work. “It would have been interesting to hear from other players in this industry, including the broadcasters, to really understand how it works,” says Dylan Slama, lawyer for one of the defendants.

Broadcasters caught up in the scandal

The scandal will also have consequences for distributors of pornographic content. This is the case for Union, Jacquie et Michel and even Dorcel. Defendants such as Pascal OP, Mat Hadix, Oliver Sweet and Rick Angel worked with them and supplied them with hundreds of videos. “We’re applying precautionary measures,” explains Grégory Dorcel, CEO of the company of the same name. In other words, some videos have been withdrawn from the catalogues. “This is a risk for us because we are contractually committed to distributing these videos, even though no legal decision has been taken”, says Dorcel’s boss.

A risk, but also a precaution, because broadcasting videos of rape is punishable under the Criminal Code (article 227-24). And the company cannot confirm that it has never had any in its offering. We have only broadcast videos in which Pascal OP is an actor,” explains Grégory Dorcel. None where he is a producer. As far as we know, he has only been implicated in shootings where he was in charge of production.

However, Radio France’s investigative unit found that Pascal OP shared his shoots with another producer, Mat Hadix, to get the participants to shoot as many scenes as possible in as little time as possible. The two men swapped roles, one acting for the other and vice versa. The broadcasters claim not to have been aware of this practice. “After the cases came to light, we took the initiative of removing the videos of the incriminated producers,” the editor of the Union website, who asked to remain anonymous, wrote to us. “We could not condone this behaviour, even though we are not aware of any complaints concerning a video that we broadcast”.

New “good practice” charters

Today, these companies are asserting that they have put good practices in place. Dorcel now has a six-person viewing committee. It also entrusted an actress-director, Liza Del Sierra, with the task of drafting an ethical charter, which was published in April 2021 (PDF file), with the help of a sociologist and a lawyer. “It implies respect for consent at all levels”, explains Liza Del Sierra. In particular, the charter requires independent producers who supply videos to Dorcel to hire an intimacy coordinator on set to obtain the free and informed consent of participants. It also requires a minimum salary of 400 euros per scene and the sending of a work plan with details of the sexual practices accepted or not, at least 14 days before filming. “We have to tick boxes on forms to say what we don’t want to do”, explains one actress.

These forms are being extended every year to include new practices, such as strangulation and the recent use of nylon. “We didn’t pay enough attention to those who didn’t want to make pornography their profession. As a result, we now have 50 women in court”, storms Liza Del Sierra. We’ve given ourselves until 2025 to ensure that 100% of the studios we distribute respect an equivalent charter,” says Grégory Dorcel. At the moment we have 39%”.

But some industry insiders have serious reservations about the effectiveness of these charters, which are mainly promoted by women directors and actresses, despite the fact that it is still men who produce the most films. “They are ‘feminist washing’. We know that women are presented as the director of the film even though they have no interest in the script, the camera or the shooting”, explains a professional who confessed to us that he had credited his partner as the director of his own X-rated film a few years ago at the request of his distributor. “They wrote this to clear their name, but it’s a bit late,” adds director John B. Root.

A privacy coordinator who is both judge and jury

Our survey shows that these charters do have their limits. For example, we met several privacy coordinators who were double-hatted, as they were also actresses on the shoots. “There aren’t many well-trained coordinators”, explains director Anoushka, and “it’s up to the production to pay them”, she adds. It’s impossible to specifically hire someone at 500 euros a day when you only have a budget of 45,000 euros, like that allocated by Canal Plus to make its latest X-rated film. “At Dorcel, they have their intimacy coordinator for their own production. But when you audit yourself, that’s not ideal either,” she adds. She and other directors are calling for productions to set up an independent fund to hire trusted third parties on location.

Actress Carolina Cherry also found that these charters are poorly applied when she shot twice for Dorcel productions last year in Budapest, Hungary, including with a Hungarian intimacy coordinator. “With 24 hours to go, they changed my programme, adding an anal scene. I discovered that this additional scene was broadcast on a label I didn’t know”. She complained to the group’s director of content. “They paid me for the extra scene. But someone younger or less comfortable would have let it happen without saying anything”. Grégory Dorcel claims to have no knowledge of this dispute. However, his communications department later told us that “on certain shoots, the same scene is sometimes shot in two versions: one with a traditional cinema camera and the other with a subjective camera”. A method of working that was eventually abandoned.

Other broadcasters such as Union do not impose privacy coordinators on the producers whose content they buy. But: “We systematically ask them to provide us with a video before and after filming, in which the actors and actresses confirm that the scenes that have just been filmed were done with their consent”, the editor-in-chief of the Union site wrote to us. “Consent isn’t just before and after the scene. It’s being asked all the time”, says Paloma Garcia Martens, an intimacy coordinator in audiovisual fiction and traditional cinema. In her view, the purpose of these videos is above all to protect the production, not to obtain free and informed consent. On a shoot,” she explains, “an intimacy coordinator needs to be able to say no to the director, while at the same time proposing solutions so that he can still carry out the scene he wants.

Jacquie et Michel in turmoil

The Arès group, which owns the Jacquie et Michel brand, was the first to draw up a guide to good practice. Just after Pascal OP’s indictment, it published a deontological (PDF file) and ethical charter applicable to all employees and content creators for their various labels: JM, JM Elite, Hot Vidéo and Colmax. The charter is designed to enable French producers to assure the Arès group that they have taken all necessary measures to ensure the full consent and protection of all parties involved, particularly women, in the production of works for its platforms.

We interviewed several participants in Jacquie et Michel shoots. None of them had received this charter at the time. “I was shocked by the behaviour of Eddy, one of the actors I was with on a shoot in 2021. We were supposed to do a fake photo, and he sat me right on his genitals,” she says. Eddy Blackone is an actor under investigation who has been cited in numerous testimonies in the French Bukkake case. Several of the women mentioned that he attempted to rape them off-camera in the shower after the scenes. In an exchange of text messages, a director who was also prosecuted, MatHadix, talks about him with Pascal OP: “Eddy: he does that to all the girls in the shower,” the file states. With bullshit like that, we could end up with a complaint for rape”.

The actor was finally arrested in October 2021, after having filmed with several professional productions, including that of Nikita Belluci, an actress and director who is now a spokesperson for an industry that wants to be more ethical. I’d been denouncing the practices of Pascal OP and others for a long time,” she explains, “but for Eddy, I’ve never heard anything. Eddy still has his actor’s file on the Jacquie et Michel website, but no one wished to respond to our requests. As for the actor’s lawyer, he is reserving his answers for the courts and points out that his client is presumed innocent.

Contentious videos still online

Despite these findings, in April 2022, at a Senate hearing before the Women’s Rights Delegation, Vincent Gey, Director of Operations for the Arès Group (which owns Jacquie et Michel) defended the seriousness of its charter. “Unannounced checks are carried out on film shoots”, he explains. “If the slightest breach is detected, our collaboration will be terminated”, he explains. He admits, however, that only one person is assigned to these checks, despite the fact that his company broadcasts over a thousand scenes a year.

Two months later, his boss, Michel Piron, the founder of Jacquie et Michel, was indicted for complicity in rape and trafficking in human beings as part of an organised gang, casting huge doubt on his company’s alleged good practices. Some of its broadcasters are distancing themselves. Canal Plus is suspending the Jacquie et Michel TV channel from June 2022. Last February, Colmax TV was also suspended. However, Michel Piron’s son, Thibault Piron, and his content director Germain Chicot set up a new company called Aramis. Now, in Canal Plus’s VOD offerings, we have identified several films shot for the Arès group in 2021 and now credited with the name Aramis.

When asked about a possible resumption of commercial relations with the creators of Jacquie et Michel, the Canal Plus communications department replied: “To the best of our knowledge, no more Jacquie et Michel content is present on the services published by the Canal+ Group (on-air channels and VOD offer)”. Since we contacted them, we have noticed that the films we had found on Canal+’s VOD service are no longer available.

But it shows that it is difficult for broadcasters to guarantee that good practice is being followed in a vague sector where the protagonists also operate under pseudonyms. “Today, new entities have been created. We’ve taken videos from Jacquie et Michel, but we’ve just cut the scene at the moment of the signature line. When we say: ‘Thank you, who? Thank you Jacquie et Michel!” concludes an industry professional.”

[Article translated with DeepL from French source: https://www.francetvinfo.fr/societe/pornographie/enquete-comment-l-industrie-pornographique-tente-de-se-refaire-une-virginite_6466868.html]

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The porn industry in the defendants’ dock

[Translated from Swedisch article]

Alyssa Ahrabare from the French organisation Osez le féminisme explains how they managed to prosecute traffickers and pornographers in a historic French court case.

Next year in Paris, the owner of a porn site will be prosecuted. It is a historic case involving 40 victims and three organisations as civil parties (Osez le féminisme, Mouvement du Nid and Les Effronté-es). It is a victory for the women’s movement, and especially for us in the Osez le féminisme group, which has pursued the issue and is a civil party to the case. Osez le féminisme (“Dare to be feminist”) is an organisation that provides holistic support to over 40 victims in both cases, including legal assistance, psychological trauma therapy, and social support, with a team of 30 lawyers, two specialist psychologists and a social worker.

The prosecution covers a range of charges: rape, prostitution and human trafficking.1 The subject of the prosecution is the French website ‘French Bukkake’, owned by Pascal Ollitrault (known as Pascal OP), which posts extremely violent pornographic videos. According to a report by the Haut Conseil à l’égalité entre les femmes et les hommes (Equality Council), these cases are the norm rather than the exception, and the pornography industry benefits from widespread impunity to minimise “serious violations of human dignity”.2

The preliminary investigation was launched in 2020, and investigators soon discovered that many complaints had been filed across France for several years, but had not been followed up. In the course of their work, the investigators uncovered a system of sexual exploitation for the purpose of rape, and a judicial investigation was opened for ‘gang rape’, ‘aggravated trafficking in human beings’, ‘aggravated pimping’, ‘money laundering’, ‘concealed labour’ and ‘distribution of recordings of images relating to the execution of a deliberate attack on the integrity of a person’.

The survey revealed the grim reality of ‘Bukkake’ films. Paying subscribers were invited to participate in gang rapes based on a particularly dehumanising scenario: many men penetrated a woman (sometimes over 80 times in less than two hours) before collectively ejaculating on the victim, who was displayed on a pallet as a commodity. 500 men were identified in the investigation. Ordinary men, porn consumers who were invited to rape and torture women on camera. They have not yet been prosecuted.

The French Council for Gender Equality published a report this year on the criminality of the pornography industry, including the testimonies of victims.3

The investigation related to the “French Bukkake” case has revealed a well-organised strategy to capture victims. A man named Julien D. targeted women on social networks. He approached them under a fake female profile called “Axelle Vercoutre” and, using the myth of “happy and lucrative prostitution”, convinced them to try becoming “luxury escorts”. He then posed as a buyer, met the women and raped them. Raping victims in order to exert control over them is a common practice used by pimps and traffickers.

After the rapes, Julien D. encouraged the women to try being in pornographic films that would only be shown to limited audiences abroad. They were to go to a specified address where several days of horror ensued. The producer, Pascal OP, at first seemed nice, with the intention of forcing their consent and recording it. Subsequently, the complainants report that they were raped on camera, humiliated and tortured by filming degrading scenes. Hair analysis also shows that some of them were drugged without their knowledge.

Women were also deceived when they asked for videos posted online to be deleted.4) Victims report significant psychological difficulties after the filming. Some tried to take legal action as early as 2017, but the police did not act: warnings in Toulouse, Brignoles, Les Andelys and Reims (where Julien D. lived) were not followed up.5

At the end of the investigation in July 2023, seventeen people (producers, directors and actors) were charged with rape (often committed as part of a group), human trafficking, aggravated pimping, and hidden labour. and concealed labour.6) Several have been in preventive detention since 2020.

The trial will be held in summer 2024.7

As a result of the evidence highlighted by the investigation, the French Senate has produced a report entitled “L’Enfer du décor” (Hell behind the curtains).8

The findings clearly show that pornography is a system of violence against women. Subsequently, a resolution was signed by 255 senators (making it the most signed senate text of the French Fifth Republic) stating that the fight against pornographic violence should be prioritised. The resolution was unanimously adopted in a public session on 1 March 2023.

For the civil parties in the cases, every step of the way is a struggle. Plaintiffs do not always have the money to travel to Paris for interviews, hearings and expertise on the case. Many are traumatised and live in very precarious situations due to the physical and psychological effects of the violence they suffered. Moreover, the films are still available online. Despite countless attempts, it has proved impossible to have them deleted.

Many women are threatened or are recognised and harassed on the street. They experience both a social death and an ongoing fear that loved ones, families or colleagues will accidentally see the films. The difficulties they go through make it extremely difficult for more victims to come forward. This exposure highlights a failure of the justice system for women who are victims of violence.

Ultimately, the word pornography hides an organised global criminal system. In the videos we can see real people being subjected to humiliating and degrading acts, such as ejaculation on the face, spitting on the face, urinating or defecating on the victim.

This kind of violence is the norm: it’s what the industry calls ‘mainstream’ porn, with content showing extreme violence where women are bound, whipped, strangled to suffocation, beaten… Women are muzzled to force them to keep their mouths open and are orally penetrated without restriction. Women are given electric shocks. In any other context, this is considered torture. However, in this context, it means that international criminal networks that could be held accountable under the existing legal framework can get away with offences in the name of freedom of expression.

EU Member States, including France and Sweden, are using the “freedom of expression” argument to limit the potential protection of women and girls from online violence, particularly the non-consensual sharing of intimate images, in the proposed directive on violence against women and girls currently under discussion in the EU institutions.

The EU Council of Ministers, representing the “interests” of the Member States, has included amendments to Articles 7 to 10 of the proposed directive aimed at tackling online violence against women. These amendments significantly limit the criminalisation of non-consensual use of intimate images, stalking and expression of hatred online.

The condition of ‘serious harm’ to the victim was added, as was the condition that the offence be ‘public’, meaning that acts in private groups or forums and online pay sites will not be included. Finally, both the reasoning and legal text now state that criminalising these types of online sexual violence must be balanced with freedom of expression, academic considerations, art and science.

Freedom of expression is not an absolute right. The European Convention on Human Rights states that it can be restricted in a democratic society for legitimate purposes, such as protecting the rights and reputation of others. In the case of defamation lawsuits against survivors of sexual violence condemning the perpetrator, freedom of expression is not used as a shield. This highlights a very dangerous paradigm shift of both approach and culture.

Traditionally, the law only protects speech that is consistent with a humanistic social contract, not hate speech. In European legal culture, freedom of expression was traditionally a right that protected the weak against the strong. This right is now mobilised in the war against women.

Pornography is an attack on the fundamental rights of all women. Violence is a natural part of its economic function as the content must constantly “surprise and shock” the consumer.

Pornography has been condemned and fought in every wave of the fight for women’s rights. After the women’s liberation movement of the 1970s, feminist movements gave a voice to victims who testified about rape, kidnapping, violence and sexual trafficking. We have known this for decades. It is high time to fight. It is happening now. What we are seeing is a systematic, global violence that requires a global resistance.

As a general policy response, we call for the reaffirmation of the fundamental principles on which our society is based: the rejection of hatred and violence, and an explicit respect for human dignity. Unlimited freedom for pornocrats means trampling on the rights of the most vulnerable and discriminated against in our society.

In France, decision-makers, especially senators, have been crucial to the progress achieved so far. It takes courage to take a stand against something that has become so normalised. We expect Swedish decision-makers to be brave too. It is time for Sweden to stand on the right side of history in this matter as well.

Source: https://www.parabol.press/porrindustrin-pa-de-atalades-bank/

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France: Support the Case Against the Jacquie et Michel Porn Empire

NOV 16, 2020

An appeal from Osez le Féminisme!

Three French feminist organisations – Osez le Féminisme!, Le Mouvement du Nid, and Les Effronté.es – are delighted that following their campaigning, the Paris Public Prosecutor’s Office has decided to open a preliminary investigation against the company “Jacquie et Michel” for aggravated pimping and rape.

In the face of the flood of testimonies, this trial will be, thanks to the mobilisation of all of us and the courage of the women who are speaking out, a trial against the criminal system that is the “pornographic industry”, an opportunity to hear the survivors of this extreme male violence, and a chance to denounce and put an end to the impunity of pornocrats.  

Alongside the victims, we want to support their heroic courage in speaking up and demanding justice. We want to offer them legal and psychological support, constant support at their side. Our associations are also considering becoming civil parties to weigh in on the trial alongside the victims.

To do this, we need resources: Based on 15 victims, we have evaluated a funding requirement of 81 KE (legal support phase 1 = 22%, legal support phase 2 = 55%, psychological support = 7%, transport and hotel costs = 3%, bailiff costs = 11%).

You can support this campaign by:

  • Financially support the victims by making a donation through the HelloAsso platform (link)
  • Supporting our desire to raise awareness and mobilise public opinion by relaying our visuals on social networks (to be found here and here). 

Pornography: An Alibi for Hatred, Torture and Organised Crime

Pornography has no legally binding definition. However, this term hides a long list of violent and abusive acts which are severely punishable under criminal codes and by international conventions: torture, rape, abuse of vulnerability, pimping, human trafficking, incitement to sexist and racist hatred, sexist and racist insults… Words can be powerful, they can provide impunity for criminals.

All over the world, lawsuits and trials are multiplying and survivors are speaking out. In France, in September, a preliminary investigation against the pornography site “Jacquie and Michel” for rape and pimping was opened by the Paris Public Prosecutor’s Office. In October, four French pornographers were indicted for rape, pimping and human trafficking.

What is now referred to as the “porn industry”, with billions of dollars in profits worldwide (219,985 videos are viewed every minute on Pornhub), actually conceals large-scale criminal networks of pimping and human trafficking. The methods used by the porn video production industry are sophisticated and identical to those used by human trafficking networks: grooming, trust-building, submission through rape, exploitation, coercion, and reversal of guilt. It is based on the age-old and misogynistic myth of a woman as a sexual object who is eager for self-destruction.

The filming of sexual acts under economic and psychological coercion, sexual assault and rape, even acts of torture and barbarism are the daily reality of the pornocriminal system. It traps vulnerable women and forces them, in spite of their clearly expressed refusal or by surprise oftentimes, to participate in scenes of sodomy, double penetration, gang rapes, beatings, slapping, choking, suffocation, urination, facial ejaculation in packs… This abuse, rape and torture, leaves women with physical sequelae (anal or vaginal tearing, infection…) as well as serious psycho-traumatic scarring. A picture of a criminal system causing unparalleled violence emerges. This picture is so different from the one the people, who have an interest in making us believe that exploited women have “inordinate sexual appetites”, want us to have. 

Only complacency can lead one to believe that a film shoot with extreme acts of violence, can provide something other than physical and psychological pain to the women subjected to it.

The impact of pornography is not limited to the women subjected to violence during the filming, but is imposed on society as a whole.

Pornography glorifies misogyny, racist and lesbophobic hatred and intolerance, resentment towards the poor, paedocriminality, humiliation and dehumanisation of women and girls. In two clicks you can find racist, paedocriminal and misogynistic titles such as “black teen gets fucked by white man” or “submissive slutty schoolgirl”.

Pornography conveys the idea that sexuality is inseparable from brutality. It legitimises violence against girls and women since it is based on sex essentialism: the notion that women are different by nature therefore they need to be degraded in order to experience pleasure. This is the same notion found in rape apology discourse. Thus, pornography caters to the patriarchal ideology that men should dominate women in society. Spanking, choking, corrective rapes… Pornography portrays women who “stay in their place”, subjected to the power of men. It glorifies male domination since it is inspired by, and perpetuate, violence against women.

The systematic imposition of these recurrent and ubiquitous images reduces the sexual imagination of individuals, as the studies cited by feminist sociologist Gail Dines in Pornland show. Thus, whereas sexuality should be a continuum of experience and learning, pornography leads to a dehumanisation of women that is found at all levels of society. Under the guise of freedom, “porn” is in fact the assertion of male sexual privilege, and the possibility for some to take advantage of women’s vulnerability in order to make a fortune.

Like racism, the glorification of hatred and humiliation of human beings -especially women- is illegal. Torture, barbaric acts, rape are criminal acts.  The European Convention on Human Rights places the onus on member states to effectively combat all attacks on human dignity. The impunity enjoyed to date by the “porn” criminal networks is clearly a violation of international law!

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