Naar de inhoud springen

Tag: sex industry

“JACQUIE ET MICHEL”, “FRENCH BUKKAKE”, THE TESTIMONIALS FLOW, THE TRIALS BEGIN.

BY FREDERIC JOINNOT

(Translation from French to English)

DEMOLITION PORNOGRAPHY, ARE YOU WATCHING? SHE EXCITES YOU? YOU REVOLT?

The damning testimonies of mistreated actresses on French porn sets are multiplying following the investigation of Le Monde last September revealing the degrading practices of the “French bukkake” site and the indictment of Michel Piron, the director of Jacquie et Michel , one of the biggest French broadcasters of X, as part of an investigation by the first judicial police district of Paris for “rape and aggravated rape”, “pimping”, “trafficking in human beings” and “forcible confinement” . 

These violent practices do not date from today. They began in the early 2000s when porn sites without means and without any rules multiplied on the Internet, practicing an escalation in sexual violence in order to stand out from classic X productions and attract an increasingly public. jaded, in search of new thrills. This is how “ ultra-hard” sub-genres appeared  such as “gonzo ”, “  demolition ”, “  throat gagger  ” , “  bukkake  ” (“splatter” of sperm together, from Japan ), etc. In 2007, in Gang Bang, an investigation into demolition pornography(Threshold, coll Non Conforme), I had given the floor to several actresses revolted by what they had endured and investigated this ultra hard cinema.

At the time, I was shocked by the arrival of these films of extreme violence, wondering how spectators could endure such scenes of degradation of “actresses” without protesting or being indignant – and paying for their subscribe to it. I then understood that this porn was entering a new phase: it appealed to the sadism of the spectators, to their excitement in front of the sufferings inflicted live, in a gonzo style , on young women. He was selling them a cruel and humiliating “gonzo” reality show to get them hard – the justification being that it was “cinema” not debasement or filmed violence. To find myself the ”  next door witness”, the “bystander” of these scenes appealed to me. At the time, a declared intermittent amateur of X, I wrote this book not to be an accomplice. Here are some excerpts – they testify to how long it has been since porn has gone off the rails…

_____________________________

January 2006. Random click on the first “Demolition Porn” site. On the first pages, a few advertising pitches flash: ” THROAT GAGGER ” (Gagged throat), “C’ IS DEMOLITION”. Films are sold there individually or by monthly subscription. Click on a photo. On the screen comes “Natacha”, a frail blonde peroxide in cheap underwear. High heels, thong, silicone mouth. A pretty, pale, slender girl, 20 years old at the drop of a hat. With a small smile, she falls to her knees on the tiled floor in front of a pot-bellied man in socks, whose face we will never see. Immediately the guy grabs her by the hair, opens her mouth with five fingers, spits in her, yelling “Bitch! (Bitch!). The young woman jumps. It’s obviously a bad surprise for her. She may be playing, but nothing is less certain. The man starts again, fiddles with his lips, spits on them, “Bitch! », Grabs her hair, and shoves his whole cock in her throat. Direct. Already, he slaps deep in her face.

Natacha, “18 years old” according to a cartridge that appeared on the screen, emits a kind of liquid squeak, while her nose crashes into the guy’s stomach. Right away, I wonder why I’m watching this. I hate this guy, what he does. My “masculine gaze”, although accustomed to twenty years of erotic magazines and porn films, my “male gaze” (my eye desiring- objectifying the body of a woman spotted by the psychoanalyst Laura Mulvey) does not support the stage. It’s very violent. The big guy blocks Natacha’s face, preventing her from freeing herself. She tries to push him away with her hands. He pushes them away violently, yelling “Without hands, bitch! (No hands, bitch!), and goes back to dabbing it deep in her throat. It makes the funny noise, kind of siphon disgorging. Natacha chokes, rolling wide eyes. She has a spasm of rejection, saliva overflows from her mouth, she vomits.

I stop the movie. I can’t stand what I see. The brutality of the man, the twisted face of the young woman triggered in me an intense emotion of disgust and anger. There is absorption in seeing, incorporation. I don’t want that image in me. Get used to it. Already, I know that it will be difficult to forget. I tell myself that the scene, the filmmaker trapped me. They’ve managed to trigger such a strong, traumatic feeling in me that basically they’re questioning me about what I’m looking for in porn. Isn’t that a strong visual sensation? Isn’t this shock, this disgust, this rejection a form of excitement? Perhaps the film traps me, what I believe to be real is only cinema intended to mobilize my sadism – if it exists?

I click again. It starts again. The fat man hits hard down Natacha’s throat. She drools continuously. She is visibly choking. Suddenly, she pulls away, her head falls back. This time, I’m sure, I see in the hollow of her eyes, in her frantic gestures to wipe himself, revulsion, fear, suffering. She does not play, she endures, she suffers. She hadn’t expected such brutality. She looks groggy. She looks at the guy, visibly distressed, wondering what’s next. Here we go again. Throat gagger. Natacha is suffocating, her eyes go white, she pulls away, shaking. The man drags her like a sack towards a sofa, throws her there, goes back to beating her full face. So he pinches her nose to block the air flow. She rolls her injected eyes. The man makes it last. Natacha hiccups, her gaze fails…

A rustle on the screen, the image jumped visibly. Here is Natacha again planted full throat by the big anonymous. It’s obvious. Her convulsion, her contortions were cut in the editing. The spectator barely had time to notice the vomiting. But we had time to understand. She’s not pretending, Natacha. She does not play violence, she takes it. She did not pretend to return, she pukes for real. The worst happens behind the scenes, between two clashes of images.

I have the feeling of finding myself in a situation of non-assistance to anyone in danger. I am outraged that it is possible to inflict such violence on a woman to shoot an X movie. A scene of violence inflicted and suffered remains violence inflicted and suffered, even under the acronym X. Everyone has already tried to to be surrendered with just a finger on the glottis, everyone knows how Natacha feels. I now understand the meaning of the title block: ” THIS IS DEMOLITION !” and flashing calls announcing to the audience, ” All of our bitches are getting fucked in the throat. ” GUARANTEED ! _ “. On the internet, we’ve gone beyond the “hard” (the hard fuck), we’ve entered some sites in the demolition live. In the imposed suffering – this, without any of the customary manners and precautions of sadomasochistic cinema, with its experts in bondage and whipping, its rituals, its specialized and seasoned actresses (SM, BDSM also increasingly extreme, less and less ritualized, more and more close to the aggression of unfortunates).

Natacha is an anonymous non-rank of this unbridled pornI will see her again on another video, withered, extinguished. She does not produce a signed “performance” or a provocative film, she does not degrade herself in complete freedom to experience “the extreme sensation of the moment” like an “actionist” artist or the performer Chris Burden; nor is she a hardcore professional, one of those overstrained actresses supporting onslaughts of body-built athletes who rest between two sessions, stopping the game when they get exhausted. She is not a respected star on a set like the French actress Ovidie who refused all sodomy and demanded the wearing of a condom. She doesn’t have the fame of an “X star” who does it several times with each hard scene, before being photographed in lingerie for the specialized press and exhibited at the “Hot d’or”. It is not crossed by the “paradox of the actor” according to Diderot, who knows very well that he is not the character he is playing. She is not an actress according to the Actor’s Studio, somehow possessed by her character, who would vomit from identifying too well with him. She does not embody a “demanding role”.

Natacha suffers the situation. She was seized with several reflex spasms. She vomits during a choking. She couldn’t bear – accepted – the scene. We can only ask the question. What happened during the cut? What about the balance of power between her and the production, her consent and her acceptance, off-screen? Natacha, 18, is unknown to a website among hundreds of other videos presented under the theme “throat gagger”, with dozens of other young women, Vera, Candy, Kinky, only first names, never people, all 18 or 20, come to be abused, humiliated and forced down their throats until they vomit, by faceless guys – a real internet mania today, the “throat gagger”, very trendy.

What happened between the two scenes, during the frame jump? We see nothing behind the scenes of gonzo and the cinema of demolition and “choking throats”. We don’t know anything about ultra-hard off-screen. How is the pornography of pornography? Just looking at Natacha for a single minute portends fierce exploitation.

What does “Carla” (her name has been changed), one of the stars of the X media scene for 5 years, guest on television, making the cover of hard magazines say about it? She is 24 years old, but her black, impassive eyes reveal a strong personality. Her fan club still exists, although today Carla prefers erotic photography and striptease shows. She talks calmly, lucidly, about her past as a hardcore actress. She is proud of what she has done – ” I assume ” – as an underground rock star who has explored where no one goes, she knows what she gives when she releases “Naomi”, her invented character on the sets, “Naomi” which ignites the film. What does Carla think of the “throat gagger”?

“It’s a very ’trash’ practice. It can cause choking and vomiting. As far as I’m concerned, I caught a big bruise on my lips. Gonzo comes from the United States, it’s very violent “hardcore”. In Europe, directors are now doing it in succession, with girls from the East. They follow fashion. You should know that many porn directors have shitty tastes! They are often embittered and failed filmmakers. They love silicone blondes, their approach to sex is minimalist. For them, the guys must be a hit like nags and the girls scream. It’s a shame ! In gonzo, the scenes are shot very quickly, without camera movement, like reporting, always very violent. No games, no dialogue, no fantasy. Anything that would support the excitement,would enrich the sexual atmosphere, is evacuated. When I started, at 20, if I had seen the gonzo films, I would never have done porn. »

Now let’s listen to Raffaëlla Anderson. She played one of the first two roles in the thriller by novelist Virginie Despentes, Baise-moi ( 2000) where two young women kill men with the rage of despair, humiliate them – as revenge after their rape. Before, she shot hardcore X movies. She was the first actress to lift the omerta on certain degrading practices of pornography in her book Hard (Grasset, 2001)). She tells the backstage of several violent filming, describes distressing sessions with “double fist” – two fists in sex scenes that evoke torture. Interviewed in January 2002 in the magazine Blast #4 , she declared: “When I think back to those scenes, it’s simple, I could never watch them in movies, I know how much the girl must suffer! I’ve seen a lot of them bleed, cry. Girls who are 18, super pretty, models. A real mess. They get slaughtered. “She further specified:” At the end of the scene, we told them: “We are going to put a little Biafine on you and tomorrow it will come back on its own!” [Biafine is used for the treatment of second degree burns]. Or: “Okay, you can go wash up… and tonight you sleep with so-and-so!” What do I think of it ? How bad. A woman is no longer even a woman. It’s not even a hole anymore. It doesn’t even have that value. »

The throat gagger. A doctor to whom I showed these films, who treats porn actresses, will explain to me that in addition to the pain, an untrained person can choke during a “deep throat” by pushing saliva back into their bronchi. It can be deadly. Nerves responsible for creating a rejection spasm indeed line the back of the throat, near the trachea, to avoid any dangerous intromission. If your nose is blocked, the repression reflex can take place inside. According to this doctor, this has already happened in hard cinema.

Certainly, one could say that a woman who accepts being abused until she vomits, suffocates, faints, who endures such aggression out of necessity, bad luck, poverty, does so of her own free will. She freely disposes of her body, in a situation of distress, in order to survive. She gives her consent. But isn’t it under pressure behind the scenes, isn’t it forced to go further, beyond itself? Isn’t she subjected to acts of influence, threats, blackmail? And then, this violence would it be consented to – and so badly lived –, should it be tolerated, legal on the set? Should it be given as a show to embellish cinema sites? Should sexually violating, exhausting, damaging a person, making them suffer become the driving principle of a kind of reality show?

In classic X movies, actors mime sex, strike a pose, moan outraged, shout basic obscenities. It’s overplayed, we pretend while doing it, we go back to the same scene several times, we stop if it goes wrong, some expert actresses swallow boners like in the circus of sabers. But they are trained. They are getting ready. They rest between two exhibitions. It is performance, almost martial art or combat sport.The editing, the cutting, certain movie tricks, fake sperm, salacious dialogues help create the impression of a gripping scene. We are sometimes in the sexual Grand Guignol, the Barnum, even contortionist numbers. It’s professional cinema, coded, standardized, heterosexual and terribly macho, often difficult for actresses – trying. But in the internet videos of “Gang bang”, “Demolition”, “Punishment”, “Tournante”, the “Bukkake ”, the women no longer play. The guys let go, the girls endure. Hard banging, throat choking, double or triple penetration, dildos punched, fisted or fisted in the vagina. It’s very hard.

“Gonzo” ads among a hundred others: DOUBLE DROP IN A LANDFILL. These 6 brutes savagely smash a little blonde in a filthy dump! The blonde gets all her orifices bombarded by the 6 cocks! Then fuck the face, smash the pussy, fist and rip the anus wildly by 6 guys at the same time!

NO PLACE FOR THE DEJA – VU ! This blonde only likes anal DESTRUCTION and I can tell you that she is going to take a real punishment. The time has come to introduce him to MONSIEUR GODE. Ten centimeters in diameter to blow her ass off. She looks a little perplexed… The guys literally impale her on it without her having time to understand and force her to get in as hard as she can. She has her ass well demolished. A veritable deluge of anal pounding ensues.

FIRST CAST. Jenny, a 23-year-old Swedish bombshell, is starting to dildo herself just to show that she can fit 40 CM OF DILDO! Once ready, a porn star gives him a deep throat for 5 GOOD MINUTES! If you want to save Jenny, type 1. Otherwise just download this excellent video.

In these films, beyond the standard sexual language of the ad – “I fucked her”, “I blew her”, all this male phantasmagoria, these popular tocsin words of sex – everything happens as indicated. It’s brutal. of the ship. Low budget. No time to take precautions. A camcorder. A few static shots. A young woman harassed by the video. Some sequences recall this dark scene from the film The important thing is to love by Andrei Zulawski, where a tyrannical old mafia, wearing a disturbing strap-on, attacks a drug-addicted teenager. He is going to spin a clandestine reel with her. The girl staggers, we understand that he is going to hurt her, torture her. Zulawski shows us the possible cruelty of porn cinema. He is not mistaken.

It seems to me that if I witnessed a scene of “demolition” in real life, I would intervene. I wouldn’t let these men. I would not behave like a “voyeur”. Besides, a lot of my enraged reaction comes from there: from my inability to stop what the young woman is enduring. To have no other solution than to stop watching, not to stop the ongoing rampage. I feel like an accomplice. To be a “bystander.” A “next door witness”. This Anglo-Saxon term designates a person in spite of himself in the presence of unacceptable violence, sexual assault, abuse of power, and who is indignant. Reacts. The bystander is a neighbour, a passing spectator, a civilian, a colleague, or even a doctor, a nurse, a civil servant who witnesses a war crime, a street attack, a rape, a sexual harassment, an abuse of power. It happens in front of him, at the bottom of his house. He is concussed. So the bystander refuses to be silent, decides to act, to intervene in one way or another. To testify. He wants to “do something”. Let the filth be known. So he comes out of his reserve. He protests. He is ringing the alarm bell. He sounds the alarm. He speaks. He cannot be silent. 

I show these films to a writer friend who like me likes cool porn. I need to hear a woman’s point of view on what ultra-hard “actresses” can feel. She immediately points out to me that the girls spit and drool a lot in the “throat smash” movies. In these scenes, always, at the start, they spit on the penis, smear it with saliva. They seem to be drooling with envy, for good, to suck it, while no doubt they moisten it to make the intromission more bearable. The hardest thing to bear, deciphers my friend, is when the blows in the throat force them to make spit clots. It’s as if they ” wet ” through their mouths, “enjoy being choked“, while it is a reflex drool, reactions of rejection. This is what frightens: they vomit, we are made to believe that they enjoy. It is a terrible lie. A cinematic falsehood.

We move forward in “freeze frames”. At first a certain Amber endures the suffocation, blows in the trachea, between two bizarre cries she distributes little automatic smiles. She is paid for that, to look good, to spit, to sink, to collect. Very quickly, the situation deteriorates. The guys force themselves, go deeper, stay longer, take turns, while the others hit her face with their penises, slap her, plug her nose. They have fun making breaking her, suffocating her longer, triggering spasms of disgust. They warm up between them, we hear them. They take advantage of the fact that she has to stay there, to finish the film, to break her resistance. Then we both understand. This is the purpose of the show. Humiliate her. Hurt her. Let it show on the screen. That the viewer has a hard-on out of sadism. Let him see it’s for real. It’s a reality show of suffering, live submission.

In mainstream porn reality show, proven by ‘cum facials’finals (the actor has enjoyed for real), the spectators fantasize that they undertake the actresses who give it to each other on the screen, but that remains a fantasy. Of mental masturbation, accompanying the physical. In the long run, this fantasy is exhausted, the enjoyment remaining visual, scopic: onanism. So the ultra-hard thinks he has found a way to maintain the fantasy excitement of solitaire. He films the degradation of the actress. Her jolts, her reflex reactions to violence, to suffocation, to blows, to dildos. Her humiliation proves that the “hardeur”, with whom the spectator identifies himself, enjoys her for good, takes advantage of her. Its defeat must burst the screen, pierce the virtual. It’s a barbaric reality show. Sadism without a masochist.

 What is most disturbing in this logic of the hardcore reality show where the victim offers herself to the pornstar is her virtuality – the dilution of violence in the hollow of Internet screens, throughout videos where pixelated women – the same scene of “choked throat” shown in the theater, with the people in flesh and cries, would be unbearable, the spectators would intervene. Their jolts and sufferings have become electromagnetic chimeras. Derealized images. We have reached the total absorption of the traumatic real by the virtual, by the total screen – what the philosopher Jean Baudrillard calls “the perfect crime “. The pornstar-suffocator and his victim have become “actors” in a degrading reality show where violence itself is simultaneously proven, shown, tracked, sought… and banished, virtualized – and therefore accepted. that’s what it takes to get the sadistic onanist to subscribe to VOD services. 

If you are interested in this article, please pass it on.

Een reactie plaatsen

Noam Chomsky – On Pornography

“(Asked about his stance on pornography, in response to perceived endorsement of Hustler, who had tricked Chomsky into giving an interview for the magazine.)

Pornography is humiliation and degradation of women. It’s a disgraceful activity. I don’t want to be associated with it. Just take a look at the pictures. I mean, women are degraded as vulgar sex objects. That’s not what human beings are. I don’t even see anything to discuss.

(Interviewer: But didn’t performers choose to do the job and get paid?)

The fact that people agree to it and are paid, is about as convincing as the fact that we should be in favour of sweatshops in China, where women are locked into a factory and work fifteen hours a day, and then the factory burns down and they all die. Yeah, they were paid and they consented, but it doesn’t make me in favour of it, so that argument we can’t even talk about.

As for the fact that it’s some people’s erotica, well you know that’s their problem, doesn’t mean I have to contribute to it. If they get enjoyment out of humiliation of women, they have a problem, but it’s nothing I want to contribute to.

(Interviewer: How should we improve the production conditions of pornography?)

By eliminating degradation of women, that would improve it. Just like child abuse, you don’t want to make it better child abuse, you want to stop child abuse.

Suppose there’s a starving child in the slums, and you say “well, I’ll give you food if you’ll let me abuse you.” Suppose—well, there happen to be laws against child abuse, fortunately—but suppose someone were to give you an argument. Well, you know, after all a child’s starving otherwise, so you’re taking away their chance to get some food if you ban abuse. I mean, is that an argument?

The answer to that is stop the conditions in which the child is starving, and the same is true here. Eliminate the conditions in which women can’t get decent jobs, not permit abusive and destructive behaviour.”

Een reactie plaatsen