Maand: augustus 2022

AUGUST 12, 2022BY NMN

This is an edited transcript of the first part of Suzzan Blac’s talk at the ‘An evening with Suzzan Blac’ webinar we held in July 2021 and the related discussion with Ygerne Price-Davies. The transcript of the second part of the talk, which was about her research into pornography, is in a separate article. You can watch the recording of the whole talk on YouTube.

Introduction

I am a survivor of child sexual abuse, sexual assaults, numerous rapes and sex trafficking.

This had been my life. My normal. So normal, that I didn’t even realise that I had been abused and been a victim for the majority of my childhood. I only began to acknowledge and understand this in my mid-twenties. I finally sought counselling when I was thirty-three years old.

Recovery was extremely traumatic and it took me more than twenty years to overcome the worst of it. One of the reasons it took so long to recover, was the victim blaming that many people inflicted upon me. In my experience, victim blaming is as painful and distressing as the abuse itself.

Between 2000 and 2004, in order to try and help myself, I decided to paint my story of abuse to help me process my pain, anger and trauma. I began by drawing subconscious doodles whilst watching TV, as I knew that these drawings had to come from deep inside of me and not my thoughts. I then turned the drawings into realistic paintings that depicted ‘me the victim’ and ‘the perpetrators’.

I was sometimes shocked by what I had painted, but I knew that they were my true feelings. I painted forty images over four years and I hid them away for over a decade, because they were for me alone, and not meant for anyone to see, especially knowing that I would be condemned if I showed them.

In 2011, I decided to put them online. I had other works out there, but I knew that ‘silence impairs the victims and empowers the perpetrators’. So I had to speak out by using my art, and although I had many people make hurtful comments, I had hundreds of survivors thanking me for giving them a voice.

I have also been training police and social workers in child sexual abuse (CSA), child sexual exploitation (CSE) and victim blaming since 2014.

I also paint about sexual objectification, sexual conditioning, pornography, prostitution and misogyny.

I am motivated by my pain, anger, injustice and indignation surrounding violence against women and girls (VAWG) and victim blaming.

I’m now going to show you twenty-four of my works with a very brief description of each one.

1. The trusted uncle

This painting depicts my mother’s brother, who sexually abused me as a baby. I painted it like a ‘Happy family portrait’ to convey the lies and cover-ups of family members who knew that it was happening. It also conveys the horrific fact that babies are sexually abused and raped, especially since the invention of the internet and mobile phone cameras. I was actually told that ‘I was sick’ for painting this image.

2. One of mother’s boyfriends

This painting depicts one of my mother’s boyfriends who sexually abused me from when I six to when I was eight years old. He was also extremely violent, and in this image I watched in horror as he beat my mother to a pulp. No child should ever have to witness such violence.

3. You’re such a good girl

This was the first time that anyone had ever called me a ‘good girl’. He also told me that it was all my fault, because I was so ‘pretty’. Here, I am trying to express what sexual abuse was doing to me internally, whilst I remained frozen and detached throughout the abuse.

4. She likes it

This image depicts the first-time my mother’s boyfriend sexually abused me in front of my mother, whilst she was at her dressing table. She turned around and asked why he was doing that, to which he replied, ‘Because she likes it’.

He laughed and said, ‘What’s the matter love, you jealous? There’s plenty to go around’.

I searched her face for a reaction, but all she did was ‘tut’ and resumed putting on her make-up. I knew then that it was not going to stop, that it was okay and was to become my ‘normal’.

5. Playtime

This image depicts my childhood – although at the time, I didn’t feel like a child. I felt like an ‘Entity’ that existed, merely to survive every day, every hour, every minute. He destroyed my childhood and he destroyed my innocence. Still to this day, I get very emotional when I watch small children innocently play, because he took that from me and put me in the darkest of places.

After many years of sexual abuse from others, including those I had trusted, even a teacher, I became a teenager on a path of self-destruction. These next paintings depict the devastating consequences of my years of abuse.

6. Embracing death

By the age of fourteen, I was regularly drinking, taking drugs, partying, being highly promiscuous and self-harming. I was called a slag, slut and a whore, and yes, I was.

One night, as I lay on the piss-flooded floor of a night club toilet, I felt like I was home. I was disgusting, vile and filthy and this is where I belonged. I was so intoxicated, that I thought I was going to die, and I embraced the thought, because I hated my life, I hated humans, and I hated myself.

7. Demonic whispers

This painting depicts the time that I was sex trafficked when I was sixteen years old. This is a portrait of the man who threatened, hurt and (alongside others) repeatedly raped me. I had been taken to London under the pretence of ‘modelling’.

Locked inside a once former Victorian hotel with many other girls and women, we were forced into pornography and prostitution. This was a whole new level of abuse, terror and trauma, one that will always stay with me.

8. Tell me you love it

On the first night that this man abducted me, he led me to a room, told me to take off my clothes and viciously raped me. Whilst raping me, he forced me to repeatedly tell him that ‘I loved it’.

9. I’ve killed bitches before

After raping me, he told me to get dressed, and as I did so – he grabbed me by my throat, shoved me against a wall and as he stuck a large knife underneath my rib-cage, he seethed into my ear, ‘I’ve killed bitches that misbehave before, so you need to think about that.’

My only thoughts were, ‘I’m only 16 and this is how I die’.

While I was still shaking in absolute terror, he withdrew the knife and laughed at me, saying, ‘You should see your face.’

This was pure sadism. I could never speak about how this affected me.

There are no words, and that’s why I had to express myself through my paintings.

10. Pornographic meat

On the second day, along with other girls, I was forced into making pornography in a large room full of men. I had to completely detach; I became a ‘dead actress’, a ‘fleshed robot’ that obeyed their every command in absolute fear.

The other girls and I did not speak or even make eye contact. We were first made to watch films of the worst kind of pornography, including bestiality, sadism and child abuse. One man joked that he was going to get the popcorn.

When they began filming me, one of the men asked for ‘Butcher shots’ and I immediately turned inside out. I cried for me and I cried for the other girls, because we were no longer human beings, we were pieces of meat inside an abattoir.

11. Shut up and take it

This image depicts one of the traffickers taking me back home. In a train toilet, he violently raped me – three times between London and Birmingham. As I whimpered, he shushed me, covered my mouth and told me, ‘This was part of the deal, so shut up and take it’.

He drove me back to my flat, asking many questions about my boyfriend and family. He then told me that I would be seeing him again soon.

12. The end of everything

After I got home, I never told a soul about what had happened to me. I was still traumatised and knew that it was all my fault. I also was being terrorised by one of the traffickers. So I had to internalise all of that pain and fear.

After a while I deteriorated both mentally and physically. I cut all of my hair off, because I didn’t want to be pretty anymore. My weight dropped to six stone, I developed intestinal worms, severe cystitis, boils, chancres and weeping eczema that turned septic.

One night, I sat naked in the shower tray, and poured a bottle of red food colouring all over me. Rocking and crying that ‘I needed to die’.

13. The epitome of sorrow is to die alone

This painting depicts one of my suicide attempts. I had taken all of my clothes off and laid down on my 9th floor balcony, one winters evening, after failing to jump off. I was hoping to die of hypothermia. As my face stuck to the icy concrete floor, hot tears ran down my freezing face as I thought how awfully sad it was to have to die alone.

I woke up at dawn. I slowly walked into my lounge which was like walking into a furnace and saw my reflection in a mirror. It was surreal, I looked like a wax model covered in blue and green veins. I just curled up into my bed, so sad that I wasn’t dead.

14. No one asked me why

This image depicts the time I had my stomach pumped in a hospital after taking an overdose. After hostile staff discharged me, and as I walked away from the hospital, I began to cry – because not one person in there had asked me why I had done this to myself.

It was then I knew that even doctors and nurses never gave a shit about me, they didn’t care if I died, they just did their job.

15. I am a piece of shit

This painting depicts how others made me feel, whenever I disclosed what had happened to me. I was condemned, isolated, abandoned and judged. Not believed, made to feel guilty, ashamed and that much of it was my own fault.

This is how many people make victims and survivors of sexual abuse feel. If someone says that they were robbed, mugged or beat-up, there is sympathy and empathy, but not if you are a victim of sexual abuse, you are literally treated like a piece of shit.

16. I’m fine thank you

I painted this self-portrait to show how it felt, to constantly hide myself by wearing a mask for self-protection and social acceptance. People made me feel like an ‘outcast’. If I spoke out about the crimes committed against me as a child, I would be met with a wall of silence, made to feel uncomfortable, defective and dysfunctional.

No survivor of sexual abuse should have to hide their pain, anxiety and distress, in the fear of being re-victimised. No human being should ever have to feel what I have painted here.

Now I want to show you some of my other works, ones that I painted years after my story of abuse.

17. Your suffering is real

I painted this image of myself to express and convey how severe, continuous sexual traumas impact your mental health, your body and your very soul.

Sexual violence is unlike any other kind of violence. It’s blackness creeps inside your every vein and permeates every organ until you emotionally shut down and are no longer the human being that you once were. Unable to speak of the horrors, you outwardly smile – whilst hiding the truth that you are internally destroyed.

18. The prostitutor

This image represents the men who prey on vulnerable girls and women. They are the pimps and pornographers who target ‘bent but not broken girls’ in order to profit from their bodies. They are men on the streets, men online, sex traffickers, husbands, boyfriends and fathers.

The majority of these girls and women are victims of previous sexual abuse, rape and domestic violence, who have mental health issues and are often alcohol and drug dependant.

19. Let me entertain you

This image depicts the sexual and physical violence now commonplace in mainstream pornography. Women are being humiliated, degraded, hog-tied, raped, punched, kicked, suffocated with plastic bags, strangled, tortured and even hanged.

This isn’t about sex; these are crimes committed against women. These videos are the stuff of serial killer fantasies. In fact, the only thing that they don’t do to women in mainstream pornography is kill them.

20. What women want

Which brings me to this painting, which depicts a young boy watching this kind of sexual violence on his mobile phone.

For the first time in history, boys are viewing this horrific and hateful misogyny and violence against women, which has become so normalised that boys are completely desensitised. Many use pornography on their phones to sexually harass, intimidate and exert power over girls. Pornography alters and influences sexual behaviours and reinforces misogyny in young, malleable minds. This is why the government needs to implement age-verification now.

21. Blue Hair

This painting is one of a set of six images, named Abasement of dolls that depict issues that affect women and girls, such as sexual conditioning, sexual objectification and sexual exploitation. 

Right from birth, baby girls are objectified and conditioned with bows, ribbons, lace and frilly nappy pants. Toddlers wear sassy clothes, jewellery, heels and painted nails. Many little girls are only given ‘girly toys’: housework sets, make-up and hairstyle sets, etc. Girls are taught that only being attractive and pretty are valued, and this often stays with them.

Many teenage girls and women resort to extreme diets, Botox and cosmetic surgeries, because they don’t match up to the high standards of beauty.

22. Blonde girls

Again, this is about the sexual objectification of little girls, in the media, film, dance studios and even by their own parents – for example, entering them into horrific ‘beauty pageants’ such as ‘toddlers and tiaras’ or buying Playboy merchandise for them. Incidentally, Playboy merchandise was sold to girls as young as eight in the high street.

23. Black Hair

This painting depicts the young women who enter the porn industry, many because of mental health issues, oppressed religious backgrounds, suitcase pimps and coercive boyfriends. These are eighteen-year-olds – they are still kids! – who enter a world of grown adult men who love ‘fresh meat’.

Many pornographers make them appear even younger and then have them ‘punished’ and ‘destroyed’.

Many of these young women leave after a short period of time after being so traumatised, a trauma that continues, because their videos remain online indefinitely for all to see.

24. The life giver

This painting represents sexism and misogyny. I portray a history of derogatory and sexist terms used to silence, erase, hurt, subordinate, humiliate, degrade, hate and punish women.

My point is that no one is morally or legally allowed to make racist, homophobic or transphobic slurs as they are deemed ‘hate crimes’ but you can call women anything you want, because misogyny is not deemed a hate crime.

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The discussion

Ygerne: I just wanted to say thank you so much to Suzzan for such a powerful and moving talk. I personally find your work really significant. It’s very hard hitting and often can be quite disturbing, but I think that the depiction of such extreme experience and psychological trauma is pivotal because speaking with a lot of women who have experienced sexualized violence and sexism more widely that sharing stories especially in creative ways enables us to overcome misogyny together. So thank you for sharing your story with us.

Suzzan: You’re welcome.

Ygerne: In the past I’ve heard you say that understanding complex PTSD helped your recovery. Would you like to talk a bit more about that and how it’s helped you?

Suzzan: Absolutely. Recovery can take so long and it wasn’t until literally about five years ago that someone explained to me the concept of complex PTSD. I’m now 61 and I wish that someone had told me earlier in my life. That’s why it’s so important to talk about this.

Going through my teenage years and adult life, no matter how many times counsellors and therapists would say to me, it wasn’t your fault… I don’t mean just as a child, I mean as a teenager and a young woman because a couple of years after I was sex trafficked, I actually went back into pornography and prostitution. No matter how many times they said it wasn’t my fault, I still knew it was my fault. So I still had the shame, self-blame, the guilt, everything was still there, it remained.

And you can’t ever recover whilst you have those intense feelings inside of you. Then a few years ago I learned about complex PTSD which is different from ordinary PTSD. Ordinary PTSD occurs after a one-time event, say being held up at gunpoint. That actually happened to a friend of mine in Birmingham. Or like a serious car crash or something like that and afterwards you develop PTSD.

But, with complex PTSD you are traumatised over a long period of time, especially from childhood and the teenage years as in my case, as in many other women’s cases. You are constantly, repeatedly traumatised over years. For me it was every day or every other day for all those years.

Each time that you are traumatised you internalise that trauma and become detached – especially in sexual violence. Each time someone abuses you, you become detached and as in my case, completely detached, all through those years.

And so, you never really feel what’s happening to you, you never really feel that pain. All through my teenage and early adult years I was self-abusing because what you don’t ever want to do is feel that pain. So, you keep abusing yourself, in whatever way, drink, drugs, putting yourself in certain situations, like I did.

I would put myself into dangerous situations because I wanted to keep being abused or abusing myself so I would never have to feel it because it was too enormous. The enormity of it was too much – unlike someone who is suffering from PTSD from a one-time event – they can talk about it. If you were mugged or robbed or attacked physically, you can tell people. But, with sexual violence, you can’t. So that compounds it and you have all these extra symptoms because you cannot talk about it.

Once I understood that, I could understand that it was not my fault. In the end I understood completely why I carried on abusing myself. I wanted to relay that to other people because it took so long for me to understand it.

Ygerne: You mentioned victim blaming and how that made it so much harder for you.

Suzzan: Exactly! You don’t get victim blamed if you are mugged. They don’t say, you shouldn’t have worn that jewellery or you shouldn’t have carried money with you. Nobody says that.

But, if you are raped, especially young girls, around 14 and upwards, it’s what was she wearing? How much was she drinking? And they don’t ask such questions to elderly ladies who are raped.

There’s so much victim blaming of young women and it compounds the recovery. That’s another reason you don’t want to talk about it because people are really cruel. In my book I talk about the many times that I suffered victim blaming. This is something we need to address; we need to address this because it is only young girls and women who are targeted, nobody else.

Ygerne: It’s re-traumatising all over again and it comes from this hatred for women, doesn’t it?

Suzzan: Absolutely. Misogyny plays a large part in all of this.

Ygerne: OK, so we’ve had a question that came through from the audience. She says: are you married to a man and if so, how were you able to trust him or anyone? How were you able to move past the hatred of people?

Suzzan: I never wanted to have a relationship when I was a young woman. I never trusted anybody. How could I? So, I would just go out with someone and you know, whatever. I never wanted to get close to anybody or have anyone close to me.

And I never wanted children, either. I’ve been asked quite a few times by people whether it was because I was worried I would abuse them. And I would say no it wasn’t that. It was because I didn’t want to bring them into this evil world.

But I met my children’s father and I found myself getting close to him and I didn’t want to. I don’t think I’ve ever really trusted him and I had good reason not to. We ended up going through hell.

I even went to the women’s hospital because, like I said before, I thought I was mentally ill. At that time I didn’t know that I had been abused. People find that hard to believe, but I thought I was just a looney. That’s what I thought. That I was a looney who took drugs, drank, and had a good time and hated the world. I thought I was mental. We went through quite a difficult period.

I was on the pill from when I was 13 years old, and I went to the doctor because I had severe migraines. He told me to come off the pill and as soon as I did, I got pregnant, which was a big shock. And that’s a whole other story – of how an abused person feels when they have a child.

We did divorce years later. And I’ve only had one relationship since then. I haven’t had one now since 2017. I’d rather just not.

It not just relationships that I find hard, it’s friendships, it’s work colleagues. Because, being abused affects every aspect of your life. Say something comes up in a work situation – for example, Mother’s Day and you’re asked about your mother. I would often say that she’s dead. She’s not, but I would say she was. I couldn’t talk about her because I stopped seeing her when I was in my early 30’s and I’ve never seen her since and I don’t want to see her.

So, it’s things like that, things that come up all the time. It’s very difficult. So, I would rather be alone, I’d rather just write and go for walks and just be by myself these days, with my cat, I love my cat. And, of course, I’ve got my two beautiful grownup children and a granddaughter. And I’m happy with that, but it’s been very difficult to trust. It’s hard to trust people.

Ygerne: That’s understandable.

Suzzan: It is, because I’ve even been abused by doctors – when I was in my early 20s. I went to a place for help to get into work. One of the lecturers started abusing me there and I went to the on-site doctor and he closed the blinds and started abusing me too. So, all my life, up to a certain point – after having children and counselling, everything changed. But, before I had children, I was constantly, constantly abused.

And as I said, you just detach.

I didn’t know I had an inkling about being abused when I was in my mid to late 20s. Having my daughter was the catalyst to my recovery because I understood at that moment when she was born what it should be… How the protection and love that you have for a child, for a baby, for your baby, was so intense and everything kind of changed from that moment.

Ygerne: That’s a moment of hope.

Suzzan: Oh, absolutely. But it was so hard because even when I had children I had so many difficult times and even when I was in therapy. When I was 33, I’d had my second child, my son and suddenly social workers got involved because they knew I was in therapy for my own abuse and I had a lot of abuse from them. It just went on and on. It was absolutely awful, never ending.

Ygerne: It was the blaming again, wasn’t it?

Suzzan: Instant victim blaming, yeah, absolutely. I mean, I know things have improved, but they’re not good enough, especially when it comes to young women.

Ygerne: There’s definitely a long way to go. We have to keep fighting.

Suzzan: We do, absolutely. And all of us can impart the knowledge and understanding to younger women that I didn’t get, and that’s why I do what I do.

Ygerne: Thank you Suzzan. Thank you so much, it’s been amazing to have you.

Suzzan: You’re welcome. And thank you to everybody who watched. I wouldn’t say it’s been fun, but this stuff needs to be out there and women, especially younger women, need to understand more from us older ones.

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If you want to see more of Suzzan’s paintings, you can go onto her art website.

She has also written a book about her life called ‘The Rebirth of Suzzan Blac’ which is available on Amazon.

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The second part of Suzzan’s talk, which is about her research into pornography, is available here.

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